By AMY QIN and ALAN WONG
Pro-democracy protesters at their barricade on Friday in the Mong Kok district of Hong Kong.
Anthony Wong, another Hong Kong singer who has joined the pro-democracy demonstrations here, said that two November shows in mainland China had been “indefinitely postponed” and that he had no pending invitations to perform there in the future.
“I’m just guessing, but I think they are trying to ban us because they’re afraid of different views,” Mr. Wong said late Thursday night. “They fear that we would spread them. And of course it’s an attempt to punish us, a cold-shoulder treatment of sorts, so we can’t earn their money.”
Mr. Wong, Ms. Ho and other performers from Hong Kong and Taiwan — including actors like Chow Yun-Fat, Tony Leung and Shu Qi — have been among the most recognizable faces and voices during the protests that have occupied parts of the city for weeks. Some have made speeches at rallies and mingled with students; others have taken to their social media accounts to express support for the demonstrators.
On the night of the movement’s largest rally to date, Oct. 4, Ms. Ho performed a new song, “Raise the Umbrella,” as tens of thousands waved their lit-up cellphones in the air. The demonstrations have been called the Umbrella Movement because its participants have used umbrellas to protect themselves from pepper spray by the police.
Before the protests in Hong Kong, also known as Occupy Central With Love and Peace, the names and faces of these performers featured regularly on stages and screens in the mainland, as well as in advertisements. But they now face a backlash from fans and companies in mainland China, on whose support many of their careers depend. Arms of China’s state-run news media have denounced them as disloyal to their country.
And unconfirmed reports circulated this week among Chinese sources of a blacklist of so-called pro-Occupy artists supposedly sent to mainland media outlets and entertainment companies, with instructions not to mention or promote the stars.
“Regardless of how official the bans might be, they can always achieve the same result by scaring off people or companies who might otherwise want to approach us,” Ms. Ho said, adding that a fashion brand had recently canceled a collaboration with her, giving no particular reason.
“Maybe they caught the rumors.”
A non-Chinese celebrity, the jazz saxophonist Kenny G, appeared to stumble into the issue this week when he posted photos of himself at one of the protest sites.
The musician, who is popular in mainland China, later deleted the photos and issued statements saying that they had not been meant to show support for the demonstrations.
In a commentary published on Wednesday evening, the state news agency Xinhua delivered an ominous rebuke to celebrities backing the protests, warning of possible greater consequences to come.
“You have violated the principles of ‘one country, two systems,’ challenged the authority of the Central Party, ignored the Basic Law, and earned fistfuls of cash only to then turn and scold your motherland,” said the commentary, singling out Ms. Ho, Mr. Wong and the Hong Kong actor Chapman To, who have been among the most visible celebrities at the protest sites.
“Is this how you treat the country that gave birth to you and raised you?”
“Chapman To and all, don’t think that you can eat our food and smash our pots at the same time,” the commentary warned.
By Friday afternoon, more than 151,000 people had participated in a poll set up on the Communist Youth League’s account on Sina Weibo, a social media platform, asking users how they would choose to boycott the “good-for-nothing artists.” Of the four punishment options presented, “call for the cancellation of performances and broadcasts of the pro-Occupy artists” proved to be the most popular, garnering more than 124,000 votes since Tuesday.
It is unclear how strictly any blacklist will be enforced.
On Thursday, for example, the state broadcaster CCTV went ahead with a showing of “Mr. Cinema,” a 2007 film starring Anthony Wong Chau-Sang, an actor who was said to be on the blacklist (and who is not related to the singer Anthony Wong).
And as of Friday, the romantic comedy “Café. Waiting. Love,” written by a popular writer and filmmaker from Taiwan, Giddens Ko, was still showing in select theaters in mainland China. But Mr. Ko, whose was also said to have been blacklisted, had seen his books pulled from the shelves of major bookstores in mainland China starting last week.
A prominent Hong Kong lyricist and writer, Lin Xi, had been scheduled to give a lecture on Thursday night at China University of Political Science and Law in Beijing, but it was canceled at the last minute. In a notice posted on social media, the university’s student association gave no reason for canceling the talk by Mr. Lin, who wrote the lyrics to the new protest anthem, “Raise the Umbrella” (as well as the official 2008 Beijing Olympics song, “Beijing Welcomes You”). The backlash comes amid increased government scrutiny of artists and entertainers in China.
In August, 42 management agencies in Beijing signed an agreement with the police vowing not to work with celebrities who were found to have participated in illegal drug use.
Last week, Xi Jinping gave a speech at a seminar in Beijing calling on artists to use their talents to serve the nation and “disseminate contemporary Chinese values.”
The protests have created a divide among the celebrities in Hong Kong.
Many have chosen to remain silent on the issue, and others have been outspoken in their criticism of the protests and their supporters in the entertainment industry.
In a message posted on his Sina Weibo account, the Hong Kong director Wong Jing declared that he was “unfriending” Ms. Ho, Mr. To and the singer Mr. Wong on social media.
Even with the prospect of future reprisals looming, however, some celebrities, like the singer Mr. Wong, who joined the campaign after he saw the police use tear gas on the protesters, have vowed to continue their support for the movement. “It affects us a lot because much of my income comes from China, about more than half,” he said. “But I think this is what we have to do. Our markets there and money aren’t more important than our need to speak our mind.”
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